Glossary entry (derived from question below)
French term or phrase:
maître imagier
English translation:
master imager
French term
maître imagier
Je me nomme Elior, ce qui signifie « première lueur » .
J’ai appris la sculpture sur de nombreux chantiers d’Orient et d’Occident et me voici en cet automne 1209, dans la loge qu’a préparée pour moi l’évêque Sylvestre.
Au printemps dernier, alors que j’étais maître du chantier du portail ouest de Notre-Dame de Paris, il m’a fait part de son projet : construire une nouvelle cathédrale à Sées.
J’ai accepté d’en devenir le **maître imagier**.
4 +1 | master imager |
Charles Davis
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5 +3 | Master sculptor |
Christopher Crockett
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4 | Chief designer / Designer |
Lara Barnett
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4 | master decorator |
philgoddard
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Proposed translations
master imager
I've set out some evidence in the discussion area, which I'll repeat here and add a little more.
"imager
n. 1. One who images or forms likenesses; a sculptor.
Praxiteles was ennobled for a rare imager.
- Holland."
Webster, 1913
http://www.webster-dictionary.org/definition/imager"
""The Purbeck marblers were sending out tombs and effigies ready carved, besides shafts and capitals, and we have seen how in 1258 John of St Albans is spoken of as 'sculptor of the king's images'. These imagers of the end of the thirteenth century no doubt began as masons [...]. By the beginning of the fourteenth century, however, we begin to see signs of the divorce of the figure-sculpture from the building craft. The imager has become a specialist [...]"
https://books.google.es/books?id=LxKzQa8U05YC&pg=PA167&lpg=P...
"figure sculptors are documented in London from as early as 1226; somewhat inauspiciously, one Thomas the Imager is named in a rape case that year. [...]
Alexander, on the other hand, was a specialised imager, primarily, though not exclusively, working on figure-sculpture. [...]
the difference between the conceptions of the mason-sculptor and the imager."
https://books.google.es/books?id=lmnqAAAAMAAJ&dq="imager" "c...
"in 1321-22 it was a London imager who made the statues for the Exeter reredos"
https://books.google.es/books?id=KwZUAAAAMAAJ&dq="imager" "c...
"He was called the “ imager," and could probably take a hand in any kind of stonework that came his way"
https://books.google.es/books?id=iaJAAQAAMAAJ&dq="imager" "c...
"It is possible that 'poyntour' is a variant of painter, and that the word was used in its occasional mediaeval sense of sculptor or imager"
https://books.google.es/books?id=xZxUAAAAMAAJ&dq="imager" "c...
As an afterthought, given that an "imager", logically, is someone who "images", it is interesting (once again, to me at least) to note that the verb "to image" is defined by Dr Johnson as "to copy by the fancy, to imagine".
http://archive.org/stream/dictionaryofengl01johnuoft#page/n9...
I mention this in the light of Christopher's very interesting comment about imagier denoting "both the ability to 'imagine' or 'envision' an image and to execute that envisioned image in stone (or wood, or whatever)"
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Note added at 7 hrs (2016-06-30 00:01:01 GMT)
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Needless to say it's really an archaic term, but I don't think that does any harm here; rather the opposite, in fact.
agree |
B D Finch
: A good idea. You probably wouldn't want to back it up with this:https://goo.gl/jDBiSN
6 hrs
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Thanks! Er, no :)
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Chief designer / Designer
"Liddall Armitage was a pupil of the Arts and Crafts STAINED GLASS DESIGNER Karl Parsons and later worked with Henry Holiday, completing some of his commissions after his death in 1927. "
"Pugin was the CHIEF DESIGNER of the firm which became one of the most important Victorian studios."
neutral |
Christopher Crockett
: But your examples are quite modern, Laura. "Designer" doesn't necessarily involve anything more than the guy who drew the image. Our Elior went on to *execute* --"realize"-- the image (he envisioned or "designed") in the media his patron demanded.
21 mins
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master decorator
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Note added at 1 hr (2016-06-29 17:59:19 GMT)
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The palette of the medieval [church] decorator was very limited".
http://books.google.com/books?id=AVhNAQAAMAAJ&pg=PA278&lpg=P...
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Note added at 1 hr (2016-06-29 18:19:43 GMT)
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You could also say "master of images".
[Rubens] was also the master decorator [for the interior of the church of St Charles Borromeo in Antwerp]
he parish celebrated its 50th anniversary in 1936 and was then renovated using the talents of Scott Young as master decorator
neutral |
Christopher Crockett
: Good thought, Phil; but the problem is that I've never, ever seen the term "decorator" used in a High Middle Ages context. The text refering to Rubens (17th c.) may be based on a contemporary document which uses such a term --or it may not.
5 mins
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Like I said, there is no definitive translation. But your "sculptor" clearly is not appropriate, since this person is responsible for all the decoration. I've added a medieval example above.
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Master sculptor
It means, simply, "image maker" --though I have rarely seen it used to denote an artist whose medium is anything else but sculpture.
And since your man here is a sculptor, I'd just call him the Master sculptor (and I personally prefer to capitalize it).
"Master" --that is, the Master of the workshop-- as opposed to the apprentices who might be associated with him.
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Note added at 45 mins (2016-06-29 17:17:43 GMT)
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In architecture, there is a "Master of the works" (or simply Operarius) --who was in overall charge of the "works," the construction of the building; he was (we think) both the architect and the "general contractor," the director of the whole show.
Though I don't know of any comprehensive term for a "Master of Images," let's use it for a moment.
Some (most?) "Masters" were certainly fluent in other media --the early 12th c. monk who called himself "Theophilus" wrote an extraordinary treatise (q.v.) which gave rather detailed instructions for "Diverse Arts," including metalwork and stained glass.
Your text says that Elior was, apparently, the Master of the sculptural workshop which executed the West portal of the cathedral of Paris (though there are three portals, with sculptures in various styles and dates, surely suggesting multiple "Masters"); and he was also a Master "verrier" --which nowadays usually denotes a "glass blower" but in the Art Historical literature of the M.A. means, primarily, a worker in stained glass (which began its life by being blown).
So, I don't seen any way out for you except to call Elior the something like "a very versatile Master who was proficient in multiple media, responsible for both some of the sculptures on the West facade of the cathedral of Paris and some of the stained glass windows in the cathedral of XXX."
How you can work all that into your translation...well, that's the translator's "art" isn't it?
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Note added at 1 hr (2016-06-29 18:28:39 GMT)
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Note that the term "maitre verrier" is in common usage among contemporary art historians to designate the Master of the workshop --in that case, the stained glass workshop.
The basic idea is that no matter how many guys there may have been working together in the shop (atelier), doing stuff like blowing the glass, fabricating the flat sheets from it, cutting the sheets into the pieces which will be framed by the lead, etc., there was a single guy who was In Charge --and it was he who did the basic envisioning of the overall composition of all the panels in the window, as well as of all the figures, the details of their drapery, faces and other figural elements, and, finally, the realization of the images in the medium (i.e., the actual painting on the glass itself).
There is, of necessity, some conjecture here, since all we really know about early 13th c. workshop organization comes mainly from what we can extrapolate from what we can see (there are no documents from this early period).
neutral |
philgoddard
: 'The "imagier" also designs the stained glass windows and in general all the decorative features of a cathedral.'
4 mins
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In the Fench context, obviously. I've never seen that word used in English. Hence my use of "ÿmagier" --which demands clarification.
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agree |
Charles Davis
: In theory an imagier could be a painter, but in the historical context referred to here I agree that for practical purposes it is a synonym of figure sculptor. That he designed other elements too is not inconsistent with this, I think.
31 mins
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Thanks Charles. Our problem is that Claude-Andrew's text specifically says he was also a Master verrier --hence my awkward, verbose circumlocution. Would that "ÿmagier" was suffient. I happen to *like* that wonderful word (which exists in the documents).
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agree |
Andrew Bramhall
: The ' verrier' bit is the stained glass designer, and here it refers to sculpting;
46 mins
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Thanks, Oliver. Not, strictly speaking, a glass "designer" (there's that damned word again), but, as Godefroy says, " a "fabricant de verre, celui qui piegneit les vitreaux."
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agree |
B D Finch
: Erudite. To think that an Operarius was really just a D & B contractor!
13 hrs
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Thank, B.D. Right, an "operarius" was just a worker, with a fancy title --and higher pay grade. And it ain't Erudition. Just 40+ years of beating my head against the same problem, constantly hoping for a different outcome.
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Discussion
n. 1. One who images or forms likenesses; a sculptor.
Praxiteles was ennobled for a rare imager.
- Holland."
Webster, 1913
http://www.webster-dictionary.org/definition/imager
Interestingly (to me at least), Dr Johnson's first definition of "image" is "any corporeal representation, generally used of statues".
"The Purbeck marblers were sending out tombs and effigies ready carved, besides shafts and capitals, and we have seen how in 1258 John of St Albans is spoken of as 'sculptor of the king's images'. These imagers of the end of the thirteenth century no doubt began as masons [...]. By the beginning of the fourteenth century, however, we begin to see signs of the divorce of the figure-sculpture from the building craft. The imager has become a specialist [...]"
https://books.google.es/books?id=LxKzQa8U05YC&pg=PA167&lpg=P...
Alexander of Abingdon, who worked for Queen Eleanor at the end of the thirteenth century, is referred to as "le ymagour" and is sometimes mentioned as "Alexander the Imager".
So although "imager" in such cases really means a figure-sculptor as opposed to a mason, one might perhaps use the term, exploiting the broader connotations of "image" in modern English. Just a thought.
Though I would suggest "a master of both sculpture and stained glass" might scan better. In view of Phil's point, what do you do with that bit about "all the decorative features of a cathedral"?
"all the decorative features of a cathedral" can mean a *lot* of stuff --what we see in "cathedrals" now is just a tiny fraction of what once existed. I rather suspect that Elior might be guilty of the sin of Pride, taking sole credit for "all the decorative features."
http://www.musilumieres.org/spectacle-2016/synopsis-2016/
But Godefroy is rather specific, isn't he? And that "image maker" reference from 1611 (which is close to my sense of the term) is really too late for our purposes.
His previous page defines "image" as simply "statuette" (1328) --so that's apparently the original sense. And I first encountered "ÿmagier" in early 14th c. documents --contracts with sculptors (not painters or verriers).
I just made like the Red Queen and assumed that the word meant whatever I wanted it to mean.
http://micmap.org/dicfro/search/dictionnaire-godefroy/imagie...
And "image" was often, if not always, specifically a statue (the same goes for "imagen" in Spanish, by the way). I suppose it depends whether they are using the word in its medieval sense.
I'm not very happy with "decorator", personally. I would use sculptor. So he designed non-sculptural elements too; I don't see that as an obstacle.
I am in process of writing a monograph on a 12th c. sculptor ("The Master of Étampes") who was, to my eye, a quite extraordinary "ÿmagier" --that term, the way I use it in my text, refers to both the ability to "imagine" or "envision" an image and to execute that envisioned image in stone (or wood, or whatever).
But note that we're pretty much in the Tall Weeds here, with some necessary theoretical groundwork which needs to be laid --probably far beyond the scope of what Claude-Andrew needs (or wants) to do.